Author Archives: lamashtu
Yôko Higaishi / Un Regard Froid – Live Ankoku Dystopia
Yôko Higaishi / Un Regard Froid – Live Ankoku Dystopia from Frederick Maheux on Vimeo. April 4th 2024 Butoh/Sound – Ankoku Dystopia at Spread, Tokyo Organized by Museifu Dystopia Instagram contact: Organizer – @muesifu.dystopia Lighting – @yerpono Butoh – @yokohigashihamayoko Noise – @deathorgone
Continue readingUn Regard Froid – Liminal/Omnicide Asia Tour
Upcoming Un Regard Froid action in Asia Negative Frequencies Over Siam Vol. 1 Bangkok, March 31st 2024 Space 19 (Silon 19) FB event: https://www.facebook.com/events/1342099053153268 Tickets Followed by 政府dystopia presents Ankoku Dystopia: Butoh & Music Tokyo, April 4th 2024 下北沢SPREAD Teaser of the video material for the new action…
Continue readingIndie Games Reviews 41 – 02/25/2024
Last Seen Online by qwook – https:// https://qwook.itch.io/last-seen-online This effective retro-OS puzzle game perfectly invoked the specific dread of Kiyoshi Kurosawa’s brand of horror. The naivete of teenage angst doesn’t prevent eternal cyberlamentations. Perfect World by phasein – https://phasein.itch.io/perfect-world Another brilliant title by phasein, this time tackling capitalism and the Anthropocene. It’s an excellent and satisfying […]
Continue readingIndie Games Reviews 40 – 01/19/2024
Buckshot Roulette by Mike Klubnika – https://mikeklubnika.itch.io/buckshot-roulette Super inventive take on Russian Roulette. Take 13 Tzametzi and set it into a Soviet uchronia with the underlying dread that God is against you. Mike Klubnika proves he is not only the master of intricate mechanized puzzle games but also of the horror of chance and zero-sum games […]
Continue readingExégèse – La chorégraphie des mouches amplifie le désir du néant
La chorégraphie des mouches amplifie le désir du néant a été conçu dans le cadre du séminaire doctoral «Avec l’autre qu’humain: coprésences et pratiques attentionnelles en art» donné à l’Université du Québec à Montréal à l’automne 2023. L’expérience interactive était accompagnée d’un retour réflexif où je décrit la genèse, les assises théoriques et le processus […]
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